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This article was written by Ira Greenfield at the USA Songwriting Competition, currently in its 14th year.

14113Many songwriters have asked me what makes a winning song. As VP of development of USA Songwriting Competition for the past 14 years, I have heard winning songs years through the years, and I think a winning song should be creative in both music composition as well as the lyric composition. A good example is the top winning song of 2008 competition “Home” written by Jordan Zevon, Jordan Summers and Morty Coyle. Musically, it displays surprises in Chord changes and the lyrics about coming home are not the clichés of what you hear on radio. It didn’t hurt the song that chorus was catchy.

Another example is the winning song of the country category in 2007 “I Can Live Without You,” written by Mary Danna and Troy Verges. One would think the song is about someone who doesn’t want to live with another. However, there is a twist at the end of the sentence in the chorus “But I just don’t want to.” They have taken a love and heartache song and given a “surprising twist” in the end. Also, the bridge was short, surprising and also emotionally high (with the melody hitting a high note at the end) and yet sad. That song still remains a favorite at the USA Songwriting Competition.

I have heard submissions where songwriters try to write the derivative songs that were number one on the charts at one time and end up being awkward. One case was a songwriter who took the entire track of Jennifer Lopez’s song “If You Had My Love” and wrote a similar melody to the background music, even the melodic line’s rhythm was similar. The chorus even copied the melody of the original song. Our judges thought the song had been plagiarized, let alone not being creative as the judges left the room singing to the Jennifer Lopez song instead. Needless to say, that song didn’t win.

I realized an interesting fact that the top winning songs of the past two years have been a three-way collaboration. The winning song last year was written by three songwriters and so was the year before (”Where the Music Takes You,” written by Ari Gold, Joe Hogue “JOJOHO” and Sean Petersen). That song also hit top 10 on the Billboard Charts after winning the competition. “Where the Music Takes You” was unique, it had no intro, the vocals start as soon as the music plays. The chorus was so catchy that the judges left the song singing to it.

Speaking of catchy, the winning song in 2004 was written by five songwriters (”My Three Wishes,” written by Patrice Pike, Wayne Sutton, Sean Phillips and Darrell Phillips). The opening hook in the chorus of the Alternative song “My Three Wishes” was accented in an off beat way that would draw the listener to want to hear more. You can tell that the song took extra effort and creativity.

A song may sound nice to listen to but please note that a lot of work is being done to the song: musically, lyrically, artistically and more. Cher’s biggest hit “Believe” was written not by one but six songwriters! Paul Barry, Matt Gray, Brian Higgins, Stuart McLellan, Timothy Powell, and Steven Torch wrote that hit number one in 23 different countries. Where would Cher be without this great hit song like this?

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7 Responses to “What? Who? When? What makes a winning song?”
 

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What? Who? When? What makes a winning song? wrote on May 20th, 2009 at 8:01 am

 

I love to write songs. I found this article interesting…I am working on breaking up those cliches that get lodged in our minds or at least play with them….the song I am working on now is a play on opposites…, quirky,and whimsical,and plain ol’ happy….can’t wait to share it.

AllisonScull wrote on May 23rd, 2009 at 11:04 am

 

Thanks for the tips, but I’m afraid it comes off sounding a little goofy. The advice seems to be to write songs that are unique structurally and lyrically, and that have a catchy part. I suppose this is fair enough; however, some of my favorite songs are quite the opposite: notwithstanding that they follow a tried and true song structure and even chord progression, they do it in a powerful and authentic way. What makes this article annoying to me (and maybe that’s because it’s a lesson I just haven’t learned yet and don’t want to learn) is the author’s implication toward the end that songs are more likely to win if they have three or more authors. To me, that just says that this contest prefers overwrought songs. Call me stodgy, but I like songs that reflect the clear and deep artistic vision of one person, or perhaps two people who manage to communicate well and create something bigger than each one separately. Doing this with three, let alone six, people, to me, seems like manufacturing hits. I conclude by thanking the author, though, for clarifying what the panel is looking for. I’ll pass.

Ben Cooley Hall wrote on May 25th, 2009 at 3:00 pm

 

Interesting site, but much advertisments on him. Shall read as subscription, rss.

RichardOn wrote on May 26th, 2009 at 6:49 pm

 

Thank you guys for the input. My theory for writing that hit song is very basic. Using any of three subjects in the title of the song, gets the listeners ear from the beginning.
One of the best written songs in recent years is “The Ode To Billy Joe” by Bobbie Gentry….start, middle, end.

The three elements in the title of a hit song, that have been researched are as follows: put a PROPER NAME, i.e, Michelle, in the title, put a NUMBER, i.e, 16 Tons, in the title and lastly, put a GEOGRAPHIC LOCATION, i.e, San Francisco, in the title. Write about it, research it….Rosanna, Africa, Billy Jean,Ben, Johnny Angel, 123, 25 or 6 to 4,Jenny 637-5309, 634-5709, Daisy Bicyle Built For 2, 2 out of Three Aint Bad, Chicago, New York, Kansas City, USSR, USA, America,etc….. The list goes on and on!

Good luck, God Bless and Good writing!

Onward,
W

Walter wrote on June 12th, 2009 at 9:24 pm

 

And yet….the things about hit songs that we like sometimes ARE the “familiar” sound to it–it sort of sounds like something else that was a hit, it sorta seems familiar, it’s sort of a cliche, that’s why these things become cliche’s–because millions of people like them and bought them. A bit of a twist is definitely nice. But so much of it is who needs that sort of song right then, who owes a favor,how much the artist likes the song-so much to it, it’s just about impossible to be at the right place at the right time with the right song. probably the lottery has a better chance! And yet, we keep writing! Go figure…

Reb Robinson wrote on June 15th, 2009 at 9:33 pm

 

With regard to what makes a good song? Well I personally think that it is the art of the storytelling! It’s the emotion and meaning…what the song has to say. The lyricist and arranger all gives the song life off the blank page. A good lyric with nice chord progressions will win every time.

Phillip Marlan wrote on September 30th, 2009 at 1:36 pm

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